Jake Adams Vlogs Feed My Children
A global emotions visualizer, reading emotional language from a twitter API and populating visually according to categorical strength in the form of Jungian archetypes.
Emojis fill the space, inflated and deflated, wearing Instagram's scar from the black square as masks. Passing through their prying eyes and smothered expressions one is greeted by an imposing tonal juxtaposition. The dark gate hails with a Shepard-like tone, it is here, in the dark chamber, where Phaser's End begins.
There are Four mirrors and three societal concerns surrounding the participant atop body bag-like textures and medical masks stained black with red and blue lights emanating behind them. Betwixt those walls are three panels. Through button input and Leap-motion interaction, They impose a deliberate sequence of anxieties as they intersect into a triumvirate of our "new normal".
Deaths of minors caused by covid-19 directly or indirectly. It is both a memorial and a statement. The panel utilizes the Looking Glass display and button input, along with Leap Motion.
Panel one full display, FMI89 breathing with input interaction.
Quick clip of a display on panel one in Phaser's End
A full picture of panel one from the inside.
Close up of a face as its recorded into the Visual synthesizer. It is ready for manipulation.
Panel Three includes a visual synthesizer, an Arduino powered text scroll, and synthesizer input, all visualized in an infinity mirror.
Four mirrors surrounding the participant atop body bag-like textures and medical masks stained black with red and blue lights emanating behind them. Betwixt those walls are three panels. Through button input and Leap-motion interaction, they all deliver anxious manifestations of current societal concerns.
On the left, three displays illustrate the face of a male breathing. Each button propounds an abstract expression. Working in tandem to create animated digital constructs, the array of symbols and textures that manifest become the heart of the panels' conceptual contribution. Every expression was made to insight awareness of political confusion. Like the thoughtless posting of a black square, it also comments on the symbol's trivial usage as a gesture toward change.
The center panel presents twelve minors, mainly minority, who have died as a result of Covid-19. Each face is back-lit or blinks in disconnection. The buttons adjacent to the portraits activate a 3D model of Covid-19 while framing their portrait and feeding information to the participant via leap motion and holographic interaction. Acting as a memorial to the victims it furthers the conceptualization of anxiety within our "new normal".
The final panel is a distorted infinity mirror with V-synth capabilities and a camera. The individual uses the synthesizer to manipulate themselves which provides a refuge for their own visualized introspection. The primary conceptual function physically reflects the black male behind the viewer on top of their real-time portrait. All of which adds to the disparate but unified intersections that culminate into Phaser's End.
Trailer courtesy of the Looking Glass Factory team.
Violet goes into dream land, psychological turmoil ensues.
A digital holographic / volumetric application that measures the world's emotions based on a twitter API. From that data it visualizes various Jungian, cultural, and literary archetypes. (see below)
Published as a holographic application. Feels measures the world's emotions and addresses the disingenuous use of Joy across twitter via an API. It then gathers the data and populates Jungian archetypes accordingly.
Feels is A digital holographic / volumetric application that measures the world's emotions based on a twitter API. From that data it visualizes various Jungian, cultural, and literary archetypes.
Current full video of Maldacena: A Mirror For The Real.
Full length video of the holo-comic, with voice over. The video gives an idea of the scope and breadth of the work.
Mixed Media (Foam, Wood, Acrylic, Polymers, etc...)
2014
Mixed Media
2014
Mixed Media
(Acrylic, Polymers, various resins, wood, foam, Plaster, paper towels)
2014
Mixed Media
(Acrylic, polymer, various resins, wood, foam, plaster, paper towels)
2014
Mixed Media
2014
Mixed Media
2014
Mixed Media
(Wood, resins, paper towels, acrylic, dry pigment, foam)
2013
Mixed Media
2013
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Within this gallery is a representation of Jakes latest project. His "Artist Statement" and "The Map" sections give the viewer detailed descriptions of not only the concepts involved, but the deep thought process that allowed these objects to come into fruition.
robertsfrasmils54.blogspot.com
Source: https://jakeadamsart.com/
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